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FABRICS
Practical advice on materials for making traps
for
tsetse and other
biting flies
If you don't want to know all the nitty-gritty details...
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Use
white, highly transparent, ultraviolet-resistant, polyester mosquito netting with only a minimal sheen;
avoid using dark or very shiny netting.
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Use opaque, well-textured, non-shiny blue fabric that
matches the deep, brilliant blue shown below [Phthalogen Blue cotton in the tropics;
Pacific Blue #
6001
acrylic awning fabric
(Sunbrella), or Top Notch Blue #563
polyester marine canvas (MarChem Coated Fabrics)
in the north.
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Use an appropriate, deep black fabric.
Sunbrella acrylic or Top Notch polyester are recommended for
light-fastness,
but some less expensive fabrics are also suitable.
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Choose fabrics
designed for outdoor use that will not fade with time. Light-fastness is critical;
see Weathering of Fabrics for some
examples.
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The "right stuff" can increase the catch of many biting flies
considerably, so it is important to strictly follow this advice. Many
readily-available retail fabrics are not suitable.
I have tested "seconds" of Sunbrella as an alternative
to new material and they are suitable (see
Fabric Warehouse
in Maine). There may be other options I am not aware of.
I have a basic interest in the
phthalogen blue and other
metal phthalocyanine dyes that are used to produce deep, brilliant
blue or greenish-blue colours on various textiles by various methods. I'd
be happy to comment on any fabric samples or exchange reference materials
to learn more about what is available on the market around the world.
Contact me at
smihok@rogers.com.
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Other Practical
Options
Detailed instructions for making traps out of other materials are provided
at
Making a Plywood Trap
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Portable and collapsible painted plywood trap that can be stored flat in
winter |

Plexiglass trap with an inner wooden frame for permanent, fixed applications |
The "Right" colour of
BLUE
See Blue Fabrics or
Blue Dyes
for technical information
and other examples |
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Below is an
example of the heavy cotton
drill (= bull denim) used in tsetse traps in Kenya
relative to reference phthalogen blue dyeings (Dystar).
The blue spectrum of phthalogen type IF3GM has a single, simple
reflectance peak in the middle of the blue region,
with low reflectance in the ultraviolet. The twill weave
in this fabric produces a rough texture
with almost no sheen.
At 175 g/m2, the cloth is opaque when it is wet or dry,
even in bright tropical sunlight. |
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Kenya drill
Type IF3GM
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Dystar
Cloth @4%
Type IF3GM |

Dystar
Thread @4%
Type IF3GK |
The colour "Phthalogen Blue"
is a generic term for a series of copper and other heavy metal phthalocyanine dyestuffs
patented by Bayer in the 1950s. This dyeing process produces exceptionally brilliant
and light-fast blues (based on Cu) which can be shifted to
blue-greens (Ni) or darker blues (Co) depending on the metal in the dye
complex. When CuPc is solubilized (e.g. as in the sulphonated reactive
dyes), brilliant turquoise colours result. These turquoise shades are unique
in terms of dye chemistry. When CuPc is halogenated as in some
paint pigments, "thalo greens" result.
Phthalogen dyes are still sold by Dystar in Germany for printing and dyeing of thread, but are not in common use for
solid-shade dyeing of retail fabrics. Nevertheless, suitable phthalogen-dyed fabrics are still available in the tropics, mostly through
dyes obtained from Indian chemical manufacturers.
"Phthalogen Brilliant Blue IF3GK or IF3GM"
is shown above. The history of the Bayer dyestuffs is
outlined in the following publication:
 | Vollmann, H. (1971)
Phthalogen dyestuffs, Chapter V. pp. 283-311 in Venkataraman, K.
(Ed) The chemistry of synthetic dyes, Volume V. New York,
Academic Press. |
Except for
Sunbrella "Pacific Blue", this uniquely
brilliant blue is unavailable in North America in any readily-available outdoor fabric. However, a
useful turquoise variation for use in biting fly traps can be obtained by dyeing cotton with
Procion Turquoise M-G (Reactive Blue 140), or Cibacron Turquoise F-G. See Blue Dyes
if you are interested in dyeing cloth for experiments with these or similar
dyes.
Colours are
typically reproduced poorly by computer monitors. To view
Phthalogen Blue, visit an art supply store, and examine a paint
that contains ONLY "Pigment Blue 15:1" (e.g.
PB15:1) or alpha copper phthalocyanine.
An example is Winsor & Newton Finity Artists' Acrylics "Phthalo Blue Red
Shade". When mixed with white pigment, "phthalo" paints will
produce a close match to Phthalogen Blue cloth. The turquoise colour
produced by Procion Turquoise M-G is similar to many cyan inks; it be viewed
on a test page from any inkjet or colour laser printer.
There are many forms of copper phthalocyanine (CuPc) and many qualitative
terms used in the paint, ink and textile industry for this colour of blue
(phthalo blue, peacock blue, royal blue, marine blue, ocean blue, etc.), so always look for
the specific pigment (PB 15). Many "phthalo blue" paints
are also made from a slightly greenish version of this pigment
beta copper phthalocyanine (PB 15:3). The
shade difference is subtle and not significant. With simple chemical
manipulations, CuPc can
also produce brilliant turquoise and cyan colours. Hence, it has major
applications in paints, inks and plastics. Excellent technical
information on pigments and the colours they produce is provided by
Handprint.
Pure pigment powders for experiments can be obtained from stores that
supply materials to professional artists, e.g.
Stevensons in
Canada. You can
also view paint colour cards at
Winsor & Newton and can
download a detailed colour
chart in Adobe PDF format. However, it is far better to see colours
in person. The retail market is quite diverse.
Although
there is no exact match to Phthalogen Blue dyed cotton in printing inks, you
can view some reasonable matches by examining Pantone®
spot colours.
Pantone®
286
is probably the best overall match.
Pantone® 293,
2935 and 2945
resemble some of the brighter fabrics. Letraset®
Pantone®
Tria™
marker pens (in art supply stores) are a convenient source for colour
examples. |
In
the tropics, the white polyester mesh used in mosquito bed-nets is
usually appropriate for the netting components of the
Nzi
trap.
There are an infinite number of products with various weaves, mesh sizes and
fibre types. Purchase only long-lasting materials suitable for outdoor use.
In
the north, one useful example of
similar netting is
type IN-06 from
Barre Army/Navy.
Note that most types of polyester netting, even when uv-protected, will not last more than
a few seasons.
There are better long-lasting options from the
horticultural industry that come at
a much higher price. These are mostly in smaller mesh sizes.
See the sections on
Netting and Mesh Sizes for
many other practical options.
Insecticide-impregnated
netting (synthetic pyrethroids incorporated into polyethylene or
polyester) is now also being produced on a very large-scale for use in bed
nets for malaria control (World Health Organisation),
but these special materials are not yet readily-available to the consumer.
Products that have obtained full or interim approval from WHO are
Olyset
®,
Permanet ® 2.0
and
Interceptor
®. See the
WHO Pesticide Evaluation Scheme
(WHOPES) for up-to-date information. This is a rapidly evolving field
in various contexts, with new products (e.g. ready-made, impregnated
clothing) starting to appear on the consumer market (Buzz
Off Insect Shield).
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The "Nitty-Gritty"
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Traps can be made out of many
things
(not just cloth), but choose materials
with caution
following the detailed advice provided here.
The choice of the right kind of
black fabric may not be critical.
Alternatives to cotton have not been tested extensively, but
there appears to be considerable latitude in the use of nylon, polyester,
acrylic, or blends for the black component of the trap, even if somewhat shiny.
Use of a light-fast fabric synthetic fabric is advantageous, given the poor
ability of cotton to retain a deep black colour for a very long period of time.
Most retail cottons and polyester/cottons will fade to various shades of
grey after one season.
The choice of the right kind of blue fabric is
absolutely critical.
Traps made out of shiny
blue fabrics (non-texturised synthetics in nylon or polyester, e.g. with
smooth textures and a very fine weave) often perform poorly, sometimes
extremely poorly.
Nearly all biting flies
react best to traps made from heavy-weight,
opaque (drill), textured
(twill weave),
"pure
blue"
(see swatch above),
100% cotton
(fabric used in pants, uniforms, overalls
in the tropics).
This blue fabric is easy to obtain in the tropics, but it is not available
in the northern hemisphere. The outdoor
awning
fabric Sunbrella
(Pacific Blue, # 6001)
is the best alternative. Quality sportswear
fabrics may be a practical
retail alternative (e.g. a
medium-weight, 65% polyester and 35% cotton twill), but
there will almost surely be some sacrifice in catches of biting flies. |
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Pure synthetics or blends
are
used by some researchers for both the blue and black
components of the trap as they
are durable
and colour-fast.
Synthetics like polyester and nylon also absorb and
retain insecticides
better than cotton
(a major consideration in Africa for control of riverine tsetse).
Some
fabrics are
very
durable
and are resistant to fading in bright sunlight. Some synthetics may be
suitable for the black component of the trap, despite being shiny (e.g.
200 Denier
Dupont Solar Max®
nylon).
More opaque nylon fabric is also available at reasonable cost, e.g. 420
Denier nylon pack cloth. I have yet to experiment with substitutions of
many alternative black fabrics.
However, I have done extensive studies of the effects of
substitutions of blue fabrics. Synthetics with
a
smooth texture (shiny)
reduce
the catch of biting flies,
especially stable flies, horse flies, and savannah species of tsetse.
To date, I have only found one useful fabric with the right
properties as a substitute for cotton: Sunbrella acrylic awning fabric in Pacific Blue #6001.
Some synthetics perform extremely poorly.
So beware.
For some really bad examples, see "Poor
Choices".
This is a critical
point to consider when
one is tempted to make traps out of a
convenient
retail fabric "off the shelf". Even if you can
find a fabric that has been texturised
to resemble cotton ("natural-feel" fabrics), and the colour is close
to Phthalogen Blue,
it may perform miserably. However, if you still want to test alternative
synthetic fabrics, a good site for practical
information, colour swatches, mail order, etc. is
Beacon Fabrics
in Florida, USA. I have largely abandoned working with the more economical
synthetics from retail sources vary too much in quality and/or colour
through time.
Always test trap performance
and durability relative to a standard Phthalogen Blue
cotton trap before making major
commitments.
See
Blue Dyes for an alternative
phthalogen standard outside the tropics.
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Non-fabric options (plastic, fibreglass, fibreboard, painted metal or
wood) may be appropriate for some flies (particularly
Tabanidae or horse flies).
Unfortunately,
minimal
research has been conducted on materials
other than cloth to provide generic
advice. |
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Fabric Quality
Colour and texture variation

Large
Image (70k)
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Fabrics #1 a-c
represent variation in Phthalogen Blue IF3GM cottons from Kenya;
they only differ in terms of depth of shade.
Fabric #2
is nominal "Phthalogen Blue" cotton from
the Awassa Textile Factory, Ethiopia.
Fabric #3
shows the shininess of plastic
in "United Nations Blue" from Uniplastics in Nairobi. Fabrics #4 to 9 are
some 100% polyesters from
Vestergaard Frandsen with various textures and
shininess, tested in early experiments. |
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A final consideration is the question of durability
vs cost - relative to expectations of
weather, damage by animals, and
the very real problem of theft. Always test
fabrics under
realistic conditions before making major purchases.
When exposed outdoors to sun and rain, many generic retail fabrics
fade within a few months. Synthetic netting materials also vary greatly
in quality; only ones that contain ultraviolet protectants are suitable for
use in traps (e.g. outdoor insect screening).
Practical examples are provided in
Fading of Fabrics.
Below is just one example
of the colour fastness of two fabrics
used in tsetse traps in East Africa in the 1990s. |
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Weathering
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The trap on the right was made from
Ethiopian cotton drill from
the Awassa Textile Factory,
dyed
"Phthalogen Blue".
The trap on the left was made from
polyester, dyed to a similar colour.
After
exposure to high temperatures and bright sunlight in the Rift Valley
of Kenya for 2.5 months, the cotton faded
considerably. This was either due to poor dyeing or the use of another
process (Weaves). |
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This example illustrates how
difficult it is to ensure consistent quality
when apparently similar fabrics are obtained from different sources.
This
Ethiopian cotton was clearly not light-fast, even
though "true" phthalogen blue cotton from other sources has excellent light-fastness. |
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